Back in early October, the British book trade celebrated a phenomenon known as Super Thursday, their busiest release day of the year, which sees all the big stocking-filler titles – everything from celebrity memoirs to blockbuster novels and sports annuals – hit shops in the lead-up to Christmas. Well, Australian cinema had its own super day (of sorts) this past week, with four excellent titles released for consumption in the comfort of your own home – Felony, Mystery Road, All This Mayhem and The Last Impresario.
It may be a dying art these days, but anyone of a certain age will likely remember those advertorials where punters were asked what they thought of a film as they left a screening. Well, our semi-regular Vox Pop column is updating that notion for the 21st century by attempting to gauge the mood of the Twitterverse about Australian films in the UK, putting it somewhere between criticism by consensus and an opinionated free-for-all.
A little boy, a mysterious picture book, a strung-out mother still struggling to cope with the death of her husband six years earlier, and one very sinister monster, who may or may not be coming to kill them both.
“If it’s in a word, or it’s in a look – you can’t get rid of the Babadook!”
It may not be a household name, but ‘Michael White’ appears on the credits of 200-odd theatre and film productions. A key cultural player in 1970s Britain, White’s midas hand touched everything from The Rocky Horror Show to Monty Python’s Holy Grail, and introduced ground-breaking figures such as Merce Cunningham and Pina Bausch to UK audiences.
Five fiction features, four documentaries, four shorts and one omnibus film, exploring life and death – from the outback to the city – with detours into sex, drugs, rock ‘n’ roll – Australian cinema is set to make a significant contribution to the 58th BFI London Film Festival, which takes place in cinemas across London, 8-19 October 2014.
To celebrate the UK cinema release of Ivan Sen’s potent, highly-charged slow-burn western Mystery Road, this review (of sorts) meanders in search of the film’s place within forty-odd years of through lines in the Australian film industry.
The inaugural Australia & New Zealand Festival of Literature & Arts opens tonight in central London with a conversation with celebrated Australian author Tim Winton, ahead of an action-packed weekend of talks, debates, readings, performances and screenings taking place at the Strand campus of King’s College London.